Happy New Year - New Website!
I have upgraded my website and am using Drupal to allow for easier updates and more community forum. This is the first major upgrade in many years. I hope to add quite a bit over 2008 to this site to help both my clients and the design community. I look forward to 2008!
My Online Portfolio:
- Film/Animation
- Drawing
- Painting
- Web Design
- Sketchbook (coming soon)
Industry News
| Frantic Films Integrates with the Prime Focus Family |
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Find out from J. Paul Peszko how the Prime Focus acquisition of Frantic Films will benefit both companies.
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| The Digital Eye: CIS' New Global Footprint |
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In this month's edition of "The Digital Eye," Roma O'Connor, exec producer of CIS London, reports on the advantages and challenges of CIS' presence in three far-flung countries.
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| NAB2008: The Return of Stereoscopic 3-D |
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Bill Desowitz returns to Las Vegas to report on some of the highlights of the recent NAB2008, which elicited a lot of interest in 3-D technology and aesthetics.
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| 3ds Max 2009 Review: More Lighting, Rendering and Navigation |
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Ryan Lesser tests the new 3ds Max 2009 and is pleasantly surprised at how useful the new tools are, even for a humble game developer.
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| Short Films with Big VFX |
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Janet Hetherington chats up three short films that make noteworthy use of VFX, including animated papers, a dancing column and a water man.
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| Artist Profile :: Dana Boadway |
 The illusion and creation of performance has been the driving force behind Dana Boadway's work.
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| Iron Man 'Suiting Up' |
 NYT a/v of interview with 'Iron Man' Visual Effects Art Director Aaron McBride.
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| The 'Virtual' Rebirth of Cinema |
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Virtual filmmaking is energizing the industry and leading to a more creative climate for directors and other filmmakers, according to Robert C. Powers (Avatar, Tintin).
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| VR in Speed Racer |
 Virtual Reality Magazine covers Speed Racer Virtual Race cars, track and environments.
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| Iron Man: Armed and Animated |
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To make Iron Man fight and fly in a convincing suit of armor required a lot of creative and complicated CG work. Thomas J. McLean gets the scoop from ILM and The Orphanage on the first summer blockbuster.
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